Introducing TT Norms® Pro, version 3.200! The updated font now supports more languages and boasts a larger character set. These implementations have made the typeface even more advanced and convenient. TT Norms® Pro is a functional geometric sans serif for aesthetic design choices and TypeType studio's bestseller. It has been a massive success since its release, and rightfully so! This stylish, elegant, and versatile font will become the full-fledged core of your collection. TT Norms® Pro is ideally suited for products in any domain: streaming services, banking, clothing brands, or the automotive industry. It's equally convenient to use in both web and printing. Now, the TT Norms® Pro typeface includes the most extensive font package, both in terms of font styles and character sets. The base version of TT Norms® Pro consists of 22 fully redesigned font styles and 4 additional subfamilies. Besides, this font boasts the most comprehensive language support in the TypeType collection. We've added the characters of extended Cyrillic and Latin writing systems to the updated TT Norms® Pro and configured the new languages support. The character set has become more extensive—we've added currency symbols with their minuscule version and minuscule mathematical symbols. The 3.200 version of TT Norms® Pro includes: 44 roman font styles, 44 italics, and 2 variable fonts; 7 roman and 7 italic font styles in TT Norms® Pro Mono; 2 variable fonts: TT Norms® Pro Variable with three parameters of variation (weight, width, and slant) and TT Norms® Pro Mono Variable with weight and slope axes of variation; 1993 characters in each font style, including an extended set of punctuation marks, symbols, and currencies; 5 widths: TT Norms® Pro with classic proportions, monospaced TT Norms® Pro Mono, narrower-proportioned TT Norms® Pro Compact and TT Norms® Pro Condensed, and wider TT Norms® Pro Expanded; 38 OpenType features, including a large number of ligatures, fractions, numerators, and denominators; 17 stylistic sets; - 280+ languages support, counting in new symbols for French, Norwegian, Bulgarian, Uzbek, Abkhaz, and more; Flawless kerning and manual TrueType hinting. TT Norms® Pro has already become the signature font of Intercom, Inc., Sartorius AG, CSN, CBSN, Shieldex, and many other global brands. Customization is available for TT Norms® Pro upon request—we adjust the font to suit your project. Learn more about customization options in the corresponding website section. In addition to the TT Norms® Pro, we've designed the TT Norms® Pro Serif typeface. These fonts complement each other perfectly, making an ideal typeface pair.

Dutch type designer Max Kisman created this display FontFont in 1990. The family contains 2 weights and is ideally suited for poster and billboards and sports. FF Scratch provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

PT Prospect™. An original serif family designed in 1997-2001 by Natalia Vasilyeva and licensed by ParaType. A face of wide proportions and free lettershapes. The serifs have slanted edges. Based partially on the hand lettering of the author. For use in titling and display composition.

Park Avenue is a lighthearted contemporary script designed by Robert E. Smith in 1933 for American Type Founders. This unique design has small x-height lowercase letters with very long ribbon-like ascenders. Park Avenue is a good design for occasional pieces such as invitations and menus.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuMifu provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Based on the text on architect's plans. The designer asked friends and relatives for the plans for their house extensions, and he studied plans in the public library, then blended the best features of all the characters he could find. Architect was designed originally in 1999.

English designer Richard Bradley created the Calligraphic Ornaments symbol font for ITC in the 1990s. Drawn in a lively traditional style similar to fine calligraphy, this font's characters set the perfect holiday spirit with little teddy bears, a Santa Claus, ringing bells, holly leaves, and other charms.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuMathieu provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuTurner provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

WIP Symbol is a font of illustrations and icons drawn by hand for office communication and beyond; a perfect companion for the WIP handwriting fonts: FirstLady, GrandMa, MachoMan, MoneyMaker, SugarBaby and ThePresident. Originally designed in 1995 the font was extended and the paths were simplified in 2005.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuGauguin provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Slovakian type designer Peter Bil'ak created this display FontFont in 1996. The font is ideally suited for film and tv, music and nightlife as well as software and gaming. FF Orbital provides advanced typographical support with features such as ligatures. It comes with tabular lining figures.

Limited to a single width for all characters and a rough image transferred through a ribbon to the paper, in 1953 Clayton Smith at IBM, Lexington, adapted the classical serifed letterform to this difficult medium to obtain a typewriter face of good readability and interesting texture.

shibby adj (etc.). Used to indicate that something is “cool.” Apparently Shibby was first used in the 1999 movie Dude, Where’s My Car? I don’t think Shibby is THE cool word of the moment, but I think it is cool enough for this rather shibby font!

Spiral is a digital transcription of a design by Joseph Blumenthal (1897-1990) which was hand-cut by Louis Hoell and cast by the Bauer foundry in 1930. The design with an italic added was later cut for Monotype and issued in 1936 as Emerson 320.

English designer David Quay created the Agincourt font in 1983. Drawn after the Old English style of type, Agincourt features intricate capitals, which complement the more reserved, slightly condensed lowercase. Agincourt is perfect for use on certificates, greeting cards, or anything that should have an historical appearance.

Thymesans was one of Chank’s earliest fonts, created way back in 1994 for CAKE Magazine. Sometimes it's got serifs, sometimes it doesn't. “What a weird and fickle futuristic font!” says Chank. Emancipate your designs with this decidedly modern font. Good for funk or country album covers.

Scribner's Magazine was an illustrated periodical published from 1887 to 1939. The 1895 holiday issue “Scribner's for Xmas” had the cover text hand lettered in an Art Nouveau style with spurred serifs. This is now available digitally as Nouveau Style JNL, in both regular and oblique versions.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuChirico provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Created in Minneapolis in 1996, Chunder is inspired by the hand-painted cursive signage of urban boutiques where a shopkeeper can't afford to hire a very good sign painter. Kinda clunky, kinda flowery. Like beer spilled on a daffodil. "It's not pretty, but it's mine," says Chank.

Frederic Goudy’s Village typeface was originally used exclusively for his Village Press publications. Designed in 1903, Village is a Venetian book face with sturdy, open forms. Steve Matteson digitized this typeface from books printed by the Village Press. An excellent companion to any of Goudy’s other typefaces.

Musical Prelude JNL is a thin Art Deco typeface with some interesting character shapes, and was inspired by the hand lettering on the cover of the 1933 sheet music for "Blue Prelude" by Gordon Jenkins and Joe Bishop. It is available in both regular and oblique versions.

The 1913 sheet music for "You’ll Be Welcome When You Get Back Home" had its title hand lettered in a simple, yet attractive Art Nouveau sans serif design which has been preserved as digital type. Basic Nouveau JNL is available in both regular and oblique versions.

To design the font Bobbin Cyrillic I was inspired by the You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. In the Bobbin Cyrillic family, every variety contains 3 alternative characters with automatic replacement.

Dutch type designer Max Kisman created this display FontFont in 1991. The font is ideally suited for logo, branding and creative industries and music and nightlife. FF Network provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Font Merlo is the younger sister of Cervo. Font Merlo is characterized by eight different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW "Prasa” that appeared from May 1960 till December 1973 in Poland.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuDuchamp provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

German type designer Fabian Rottke created this display FontFont in 1996. The font is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Franklinstein provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Bride Style, A sweet beautiful delicate script font. Inspired from the wedding modern calligraphy style but presented in a fashion editorial way. Perfectly fit for branding, logo, wedding things, greeting cards, fashion, lookbook, moodboard, presentation, imagine the luxury, beautiful, stylish, and casual in the same time.

A beautiful and stylish pen lettered alphabet appears within the pages of the 1921 publication “How to Write Show Cards” and its Art Nouveau stylings made it a perfect candidate for a digital revival. Pleasant Show Card JNL is available in both regular and oblique versions.

Kinglard Modern Display Vintage Font, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Introducing Destone - A bold font with 2 styles: Regular & Slab. Destone combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts.